From percussionist Bobby Sanabria, he writes about the passing of Andy Gonzalez and his influence:
Andy González, who died on April 9 in the Bronx, was a bassist who followed in the footsteps of seminal Latin players like Israel “Cachao” López and Bobby Rodriguez, eventually joining their ranks as one of the most important figures on the instrument.
His work in three groups that he co-led — Grupo Folklórico Y Experímental Nuevayorquíno; Conjunto Libre, with percussionist Manny Oquendo; and the Fort Apache Band, with his brother, the late percussionist and trumpeter Jerry Gonzalez — was prolific and historic. Each served as a testament to the musical identity of the Puerto Rican experience in New York City, showing the influence of jazz and Afro-Cuban music in ways that became defined as Nuyorican.
It was through pianist, bandleader and NEA Jazz Master Eddie Palmieri that the González brothers met López, who became a mentor, guide and guru for them and a cadre of other young Nuyorican musicians, who would become major forces in the city’s salsa scene. “I told Andy flat out, you want to learn about this music, see René,” recalls Palmieri. “He has one of the most incredible collections of Cuban music in the world, and he shared his encyclopedic knowledge with them.” . . . .
. . . .Felipe Luciano, the Original Last Poet and cofounder of the Young Lords, best describes Andy’s importance. “Andy, with his brother Jerry, were the conscious of Latin Music,” he says. “Never compromising, integrating the past and present while forging a new future. There’s not one living Latin musician, or jazz musician whoever heard them, who is not influenced by their thought, dedication, their purity of sound. They were priests of a new order, icons from a higher ground. May the NYC sounds of Latin music live, like them, forever.”