The sleuthing exploits of Judge Dee, a character based on a 7th-century Chinese official, are gripping new audiences as new generations of writers, movie directors and storytellers tell his tale and build on his legend.
Judge Dee was cracking tough cases for centuries in China before Sherlock Holmes even got a clue. But perhaps more importantly, his stories continue to inform ordinary Chinese people's understanding of justice and law.
One new Judge Dee tale just hit cinemas in Asia, in IMAX and 3-D. It's directed by veteran Hong Kong filmmaker Tsui Hark.
"The first rule of sleuthing," Dee explains in the film "is that you need a photographic memory. "The second is that you need to closely observe people's speech and facial expressions."
But unlike Holmes, Judge Dee also dabbles in the supernatural. He ventures into the spirit world in search of clues. He gleans information from dreams, and in Tsui's latest film, he battles a sea monster.
"This person is a real historical figure," Tsui said at a news briefing ahead of the film's premier in Beijing. "So we wanted to see how much we could exaggerate his persona, basing the story on the historical background, while creating a heroic figure from our mind's eye."
Continental Bounce is a collection of photographs taken
during Magda Biernat’s recent one year, around the world journey.
Together with her husband Ian, she traveled across three continents,
Africa, Asia and Oceania visiting a cross section of diverse cultures.
In this selection of photos, Biernat has found common patterns that
emerge in the variety of textural landscapes through which they
traveled. She explores beyond the famous icons in tourist brochures into
the homes and lives of the people whom they met and were befriended by
on their journey. What emerges is a quiet and often intimate reflection
of the similarities of lives and landscape around the world.
Drawing out mental maps of cities is nary a dull activity (first time I’ve used the word ‘nary’). Warped by what some would call an impaired sense of direction, my own scribbled maps have often dissolved into floating arrows and cartoonish landmarks peppered with unnecessary written details. These maps, drawn on the back of receipts and corners of take-out menus, knowingly brush up against a rich art historical tradition of attempting to understand and often systematize the world beyond our immediate line of sight. From Ptolemy and Mercator to Google Earth, maps have indisputably informed the way we perceive and interact with our surroundings.
Aware of the profound implications of cartography, Japanese artist Sohei Nishino has created a photographic series entitled Diorama Map, carrying out what seems to be Situationist-inspired artistic process, which goes as follows: the artist walks around a chosen city on foot and documents various locations on film. He then returns to the footage, extracting still images to collage into wonderfully complex mental maps that turn imprecise lines, misalignments and gaps into spaces for individual interpretation, resisting the colonizing forms of traditionally rendered geographies.
Composed of snapshots taken on foot and then hand-printed on contact sheets, Nishino’s collages are highly personal. Speaking to The Japan Times, the artist revealed how he has included as many as 10,000 photos from each city in a single Diorama Map, creating a recognizable image that is also embedded with countless visual anecdotes, such as images of British pounds inserted into the location where Nishino was pickpocketed in London along with photographs of whom he met and what he ate. To scan through the intricate details of Nishino’s large-scale Diorama Maps is to travel without traveling, to reinterpret and relive an individual experience of a city.